113 bars of 4/4 at 127 BPM, about 3:34 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, hi-hat through bars 9-32, snare through bars 33-40, hi-hat through bars 41-56, snare through bars 57-64 and hi-hat through bars 65-100, and 1 more change after that.
The beat the song is built on is one bar, played through bars 12, 16 and 20, and 20 more places -- 49.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
12
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-x---x---x---x-|2 fills to learn, played 6 times: bars 28, 32, 52, 56, 96 and 100.
It cuts the song into 7 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
113 bars, about 3:34 at the written tempo. The course breaks it into 7 exercises over 3 sittings, about 22 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 28, 32, 52, 56, 96 and 100.