99 bars of 4/4 at 135 BPM, about 2:56 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 2-17, hi-hat through bars 18-25, snare through bars 26-33, hi-hat through bars 34-41, snare through bars 42-87 and toms through bars 88-89, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 10-17, 31-32 and 43, and 3 more places -- 25.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 11
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |----x-------x---|----x--x----x--x|
BD |x-----x-x-----x-|--x-----x-x-----|8 fills to learn, played 14 times: bars 9, 25, 29, 33, 37, 41 and 8 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
99 bars, about 2:56 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 9, 25, 29, 33, 37, 41 and 8 more.