107 bars of 4/4 at a walking 90 BPM, 4:51 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, hi-hat through bars 6-28, silence through bars 29-34, hi-hat through bars 35-105 and silence through bars 106-107.
The beat the song is built on is one bar, played through bars 68-70, 72-74 and 76-78, and 7 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
69
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |--------x---------------x-------|
BD |x---------------x---------------|14 fills to learn, played 22 times: bars 5, 16, 18, 20, 21, 24 and 16 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
107 bars, about 4:51 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 5, 16, 18, 20, 21, 24 and 16 more.