167 bars of 4/4 at 110 BPM, about 6:03 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-18, hi-hat through bars 19-22, silence through bars 23-26, hi-hat through bars 27-30, silence through bars 31-32 and hi-hat through bars 33-36, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 39-40, 65-70 and 113-118, and 1 more place -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
66
1e+a2e+a3e+a4e+a
FT |x-x-x-x-x-x-x-x-|
BD |x-----x-----x---|8 fills to learn, played 14 times: bars 48, 64, 72, 80, 96, 112 and 8 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
167 bars, about 6:03 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 48, 64, 72, 80, 96, 112 and 8 more.