67 bars of 4/4 at a walking 94 BPM, 2:51 of playing, on ride, hi-hat, snare, mid tom, kick and hi-hat foot.
22 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
snare through bars 1-44, ride through bars 45-53, snare through bars 54-61, ride through bars 62-63 and snare through bars 64-67.
The beat the song is built on is one bar, played through bars 1-47 and 53-66 -- 91% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
SD |------------x---|
BD |x-----x-x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 6 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
22 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
67 bars, about 2:51 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 20 minutes each.
ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.