84 bars of 4/4 at a walking 93 BPM, 3:37 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
silence through bars 1-4, hi-hat through bars 5-21, kick and crashes through bars 22-24, hi-hat through bars 25-44, silence through bars 45-48 and hi-hat through bars 49-60, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 5-20, 25-27 and 29-44, and 4 more places -- 85.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
HH |o---xxxxxxxxxxxx|
SD |----x-------x---|
BD |x------x-xx-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 51 out of 100; the rest of the number is everything around it.
84 bars, about 3:37 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 25 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.