137 bars of 4/4 at 132 BPM, about 4:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-5, snare through bars 6-10, hi-hat through bars 11-17, ride through bars 18-20, hi-hat through bars 21-55 and ride through bars 56-60, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 26-30, 36-38 and 40-45, and 5 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26
1.....2.....3.....4.....
CC |x-----------------------|
HH |---o--o--o--o--o--o--o--|
SD |------x-----------x-----|
BD |x-----------x-----------|14 fills to learn, played 23 times: bars 1, 9, 17, 25, 39, 47 and 17 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
137 bars, about 4:09 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 23 times: bars 1, 9, 17, 25, 39, 47 and 17 more.