142 bars of 4/4 at 132 BPM, about 4:18 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-26, silence through bars 27-28, snare through bars 29-80, toms through bars 81-82, hi-hat through bars 83-89 and silence through bars 90-96, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 1-26 and 45-62 -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
SD |--------x-------|--------x-----x-|
BD |x-----x-----x-x-|--x-x-----x-----|
HF |x-X-x-X-x-X-x-X-|x-X-x-X-x-X-x-X-|5 fills to learn, played 11 times: bars 30, 36, 66, 72, 81, 82 and 5 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
142 bars, about 4:18 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 30, 36, 66, 72, 81, 82 and 5 more.