63 bars, 4:12, at 60 BPM: slow enough that every note is exposed. Hi-hat, snare, floor tom and kick and nothing else.
23 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
toms through bars 2-24, snare through bars 25-36, hi-hat through bars 37-59 and silence through bars 60-63.
The beat the song is built on is one bar, played through bars 37-58 -- 37.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
37
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
60 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
23 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
63 bars, about 4:12 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 25 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.