370 bars of 4/4 at 120 BPM, about 12:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-8, toms through bars 9-16, kick and crashes through bars 17-21, silence through bars 22-25, hi-hat through bars 26-33 and ride through bars 34-39, and 32 more changes after that.
The beat the song is built on is one bar, played through bars 64, 70-73 and 78-81, and 13 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
64
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|17 fills to learn, played 47 times: bars 24, 25, 33, 53, 61, 68 and 41 more.
It cuts the song into 88 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
370 bars, about 12:20 at the written tempo. The course breaks it into 88 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 47 times: bars 24, 25, 33, 53, 61, 68 and 41 more.