154 bars of 4/4 at 146 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-25, snare through bars 26-54, hi-hat through bars 55-65, snare through bars 66-82, toms through bars 83-87 and ride through bars 88-89, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 2-3, 6-8 and 10, and 5 more places -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |----o---o---o---o---o---o---o---o---o---o---o---|
SD |----x-------x-------x-------x-------x-------x---|
BD |x-------x-------x-------x-x-----x-------x-------|16 fills to learn, played 26 times: bars 4, 5, 9, 11, 17, 19 and 20 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
146 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 100 out of 100; the rest of the number is everything around it.
154 bars, about 3:58 at the written tempo. The course breaks it into 68 exercises over 25 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 26 times: bars 4, 5, 9, 11, 17, 19 and 20 more.