227 bars at 170 BPM -- fast, and 5:20 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-6, hi-hat through bars 7-14, snare through bars 15-22, silence through bars 23-24, hi-hat through bars 25-27 and snare through bars 28-34, and 21 more changes after that.
The beat the song is built on is one bar, played through bars 7-11, 28 and 35-37, and 4 more places -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |xxxxxxxxxxxxxxxx|28 fills to learn, played 91 times: bars 1, 4, 6, 12, 31, 32 and 85 more.
It cuts the song into 87 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 80 out of 100; the rest of the number is everything around it.
227 bars, about 5:20 at the written tempo. The course breaks it into 87 exercises over 21 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 91 times: bars 1, 4, 6, 12, 31, 32 and 85 more.