324 bars of 3/4 -- not four -- at 128 BPM, 8:48 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-13, hi-hat through bars 14-49, kick and crashes through bars 50-55, ride through bars 56-60, hi-hat through bars 61-117 and silence through bars 118-132, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 137-139, 141-143 and 145-147, and 10 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
138
1...........2...........3...........
HH |x-----------x-----------x-----------|
BD |x-----------------------x-----------|20 fills to learn, played 58 times: bars 24, 32, 40, 49, 88, 104 and 52 more.
It cuts the song into 86 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
324 bars, about 8:48 at the written tempo. The course breaks it into 86 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 58 times: bars 24, 32, 40, 49, 88, 104 and 52 more.