128 bars of 4/4 at 127 BPM, about 4:02 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 2-17, hi-hat through bars 18-33, snare through bars 34-41, hi-hat through bars 42-61, snare through bars 62-63 and toms through bars 64-65, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 19-23, 25-27 and 29, and 10 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x-x-------|11 fills to learn, played 25 times: bars 9, 17, 31, 41, 49, 61 and 19 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 32 out of 100; the rest of the number is everything around it.
128 bars, about 4:02 at the written tempo. The course breaks it into 33 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 9, 17, 31, 41, 49, 61 and 19 more.