94 bars of 4/4 at 128 BPM, about 2:56 of playing, on hi-hat, snare, floor tom and kick.
26 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-10, toms through bars 11-24, hi-hat through bars 25-50, kick and crashes through bars 51-55, hi-hat through bars 56-85 and kick and crashes through bars 86-90, and 1 more change after that.
The beat the song is built on is one bar, played through bars 26-31, 33-45 and 61-70, and 2 more places -- 44.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
26
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--------x-------|
BD |x---------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
26 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
94 bars, about 2:56 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 27 minutes each.
hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.