126 bars of 5/4 -- not four -- at 196 BPM, 3:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-36, snare through bars 37-44, ride through bars 45-60, hi-hat through bars 61-94, silence through bars 95-97 and ride through bars 98-99, and 1 more change after that.
The beat the song is built on is one bar, played through bars 17-20, 23 and 29-32, and 3 more places -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17
1e+a2e+a3e+a4e+a5e+a
HH |x---x---x---x---x---|
SD |------x---gg----x---|
BD |x-x-----------x-----|8 fills to learn, played 9 times: bars 14, 15, 48, 52, 60, 76 and 3 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
196 BPM, in 5/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
126 bars, about 3:21 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 14, 15, 48, 52, 60, 76 and 3 more.