134 bars of 4/4 at 120 BPM, about 4:28 of playing, on crash, snare, high tom and mid tom.
18 out of 100: straightforward, and the one thing to watch is how often it moves around the kit.
silence through bars 1-3 and toms through bars 4-134.
The beat the song is built on is one bar, played through bars 5-7, 9-16 and 21-28, and 10 more places -- 80.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
6
1e+a2e+a3e+a4e+a
SD |x-x-x-x-x-x-x-x-|
T2 |x---x---x---x---|5 fills to learn, played 12 times: bars 8, 29, 30, 38, 67, 68 and 6 more.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
18 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 6 out of 100; the rest of the number is everything around it.
134 bars, about 4:28 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 25 minutes each.
crash, snare, high tom and mid tom. Nothing in the part asks for anything else.
5 fills to learn, played 12 times: bars 8, 29, 30, 38, 67, 68 and 6 more.