182 bars of 4/4 at 116 BPM, about 6:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bar 1, ride through bars 2-31, snare through bars 32-47, hi-hat through bars 48-79, snare through bars 80-87 and hi-hat through bars 88-116, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 48-50, 53-54 and 57-58, and 10 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
49
1.......2.......3.......4.......
HH |o-------o-------o-------o-------|
SD |----------------x---------------|
BD |x--x-x--x--x-x--x--x-x--x--x-x--|17 fills to learn, played 27 times: bars 14, 22, 59, 71, 79, 91 and 21 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
182 bars, about 6:17 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 27 times: bars 14, 22, 59, 71, 79, 91 and 21 more.