142 bars of 4/4 at 125 BPM, about 4:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
80 out of 100. Hard, and what makes it hard is how much of it falls off the beat.
silence through bars 1-6, kick and crashes through bars 7-13, snare through bars 14-16, ride through bars 17-18, hi-hat through bars 19-20 and ride through bars 21-22, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 19, 25 and 29, and 3 more places -- 5.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25
1...............2...............3...............4...............
CC |x-------x-------x-------x-------x-------x-------x-------x-------|
SD |--------------------------------x---x---x---x-------------------|
BD |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|21 fills to learn, played 58 times: bars 10, 15, 16, 17, 18, 19 and 52 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 77 out of 100; the rest of the number is everything around it.
142 bars, about 4:33 at the written tempo. The course breaks it into 56 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 58 times: bars 10, 15, 16, 17, 18, 19 and 52 more.