260 bars at 190 BPM -- fast, and 5:21 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-80, snare through bars 81-82, hi-hat through bars 83-106, snare through bars 107-108 and hi-hat through bars 109-110, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 63-77, 79-81 and 83-85, and 10 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
64
1.......2.......3.......4.......
HH |o-------o-------o-------o-------|
SD |--------x---------------x-------|
BD |----x-------x---x---x-------x---|14 fills to learn, played 27 times: bars 10, 11, 12, 31, 32, 78 and 21 more.
It cuts the song into 78 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
190 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
260 bars, about 5:21 at the written tempo. The course breaks it into 78 exercises over 23 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 10, 11, 12, 31, 32, 78 and 21 more.