347 bars at 254 BPM -- fast, and 6:17 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, hi-hat through bars 4-42, ride through bars 43-52, hi-hat through bars 53-58, ride through bars 59-74 and hi-hat through bars 75-111, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 4-24, 36-41 and 75-90, and 2 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5
1e+a2e+a3e+a4e+a5e+a6e+a
HH |o-----o-----o-----o-----|
SD |------x-----------x-----|
BD |x---x-----x-x---x-----x-|12 fills to learn, played 23 times: bars 42, 47, 74, 91, 92, 111 and 17 more.
It cuts the song into 80 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
254 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
347 bars, about 6:17 at the written tempo. The course breaks it into 80 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 42, 47, 74, 91, 92, 111 and 17 more.