221 bars of 4/4 at a walking 94 BPM, 9:18 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-4, snare through bars 5-32, hi-hat through bars 33-40, snare through bars 41-42, hi-hat through bars 43-50 and snare through bars 51-52, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 123-128, 131-136 and 139-160, and 1 more place -- 38.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
139
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-x---x-x-x---x-|8 fills to learn, played 27 times: bars 24, 28, 40, 42, 50, 52 and 21 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
221 bars, about 9:18 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 27 times: bars 24, 28, 40, 42, 50, 52 and 21 more.