75 bars, 4:07, at 73 BPM: slow enough that every note is exposed. Crash, hi-hat, snare and kick and nothing else.
76 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-10, hi-hat through bars 11-56, silence through bars 57-59 and hi-hat through bars 60-75.
The beat the song is built on is one bar, played through bars 11, 13 and 15-16, and 14 more places -- 45.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
13
1.......2.......3.......4.......
HH |x-g-x-g-x-g-x-g-x-g-o---x-g-x-xx|
SD |--------x---------------x-------|
BD |x-----x-----x-----x-x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
73 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 68 out of 100; the rest of the number is everything around it.
75 bars, about 4:07 at the written tempo. The course breaks it into 12 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.