74 bars of 8/4 -- not four -- at 150 BPM, 3:50 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-38 and silence through bars 39-74.
The beat the song is built on is one bar, played through bars 6-7, 10 and 12-13, and 3 more places -- 38.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1e+a2e+a3e+a4e+a5e+a6e+a7e+a8e+a
HH |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|
SD |----x-------x-------x-------x---|
BD |x-----x-x-------x-----x-x-------|3 fills to learn, played 5 times: bars 8, 11, 14, 15 and 32.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 44 out of 100; the rest of the number is everything around it.
74 bars, about 3:50 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 8, 11, 14, 15 and 32.