210 bars of 5/4 -- not four -- at 98 BPM, 9:37 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-4, kick and crashes through bars 5-8, hi-hat through bars 9-12, snare through bars 13-31, hi-hat through bars 32-78 and ride through bars 79-80, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 121-135 and 137-151 -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
122
1.......2.......3.......4.......5...
HH |x---g-x---x---g---x---g-x---x---g---|
SD |----------x-----------------x-------|
BD |x-----------------x-----x-------x---|14 fills to learn, played 44 times: bars 12, 31, 35, 43, 44, 45 and 38 more.
It cuts the song into 66 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 5/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 69 out of 100; the rest of the number is everything around it.
210 bars, about 9:37 at the written tempo. The course breaks it into 66 exercises over 24 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 44 times: bars 12, 31, 35, 43, 44, 45 and 38 more.