107 bars of 4/4 at 135 BPM, about 3:13 of playing, on crash, hi-hat, snare and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-10 and hi-hat through bars 11-107.
The beat the song is built on is a 2-bar phrase, played through bars 19-28, 37-56 and 65-84, and 1 more place -- 64.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
19 20
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----X-x-X-x-X-x-|X-x-X-x-X-x-X-x-|
SD |--------x-------|--------x-------|
BD |x-------------x-|----x---------x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
107 bars, about 3:13 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.