143 bars of 4/4 at a walking 98 BPM, 5:36 of playing, on crash, hi-hat, snare, mid tom and kick.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 2-4, hi-hat through bars 5-24, snare through bars 25-26 and hi-hat through bars 27-143.
The beat the song is built on is one bar, played through bars 5-20, 27-38 and 70-81 -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5
1e+a2e+a3e+a4e+a
HH |oooooooooooooooo|
SD |--x-----x-----x-|
BD |xxx--x-xx--x-xx-|8 fills to learn, played 36 times: bars 21, 23, 25, 39, 41, 43 and 30 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
143 bars, about 5:36 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
8 fills to learn, played 36 times: bars 21, 23, 25, 39, 41, 43 and 30 more.