176 bars at 194 BPM -- fast, and 3:38 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, snare through bars 9-16, hi-hat through bars 17-40, snare through bars 41-48, hi-hat through bars 49-72 and snare through bars 73-80, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 57, 59 and 61, and 21 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
57
1e+a2e+a3e+a4e+a
CC |x-------x-------|
BD |x-----------x---|10 fills to learn, played 16 times: bars 4, 8, 40, 48, 56, 76 and 10 more.
It cuts the song into 57 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
194 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
176 bars, about 3:38 at the written tempo. The course breaks it into 57 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 4, 8, 40, 48, 56, 76 and 10 more.