258 bars of 4/4 at 140 BPM, about 7:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.
ride through bars 1-2, hi-hat through bars 3-4, ride through bars 5-6, hi-hat through bars 7-8, ride through bars 9-14 and hi-hat through bars 15-16, and 21 more changes after that.
The beat the song is built on is one bar, played through bars 3-4, 7-8 and 15-16, and 26 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
163
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |xxxxxxxxxxxxxxxx|22 fills to learn, played 65 times: bars 2, 5, 6, 9, 14, 17 and 59 more.
It cuts the song into 78 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 46 out of 100; the rest of the number is everything around it.
258 bars, about 7:38 at the written tempo. The course breaks it into 78 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 65 times: bars 2, 5, 6, 9, 14, 17 and 59 more.