174 bars of 4/4 at 150 BPM, about 4:38 of playing, on crash, ride, hi-hat, snare and kick.
21 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
kick and crashes through bars 1-27, snare through bars 28-32, silence through bars 33-36, snare through bars 37-46, silence through bars 47-48 and kick and crashes through bars 49-84, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 15-32, 35-46 and 64, and 2 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15
1e+a2e+a3e+a4e+a
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
21 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
174 bars, about 4:38 at the written tempo. The course breaks it into 26 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.