241 bars at 178 BPM -- fast, and 5:12 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 2-18, snare through bars 19-34, silence through bars 35-37, ride through bars 38-42, hi-hat through bars 43-73 and snare through bars 74-81, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 51-54, 91-92 and 94-109 -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52
1.......2.......3.......4.......
HH |----x-------x-------x-------x---|
SD |--------x---------------x-------|
BD |x---------------x---------------|13 fills to learn, played 33 times: bars 20, 22, 26, 30, 32, 33 and 27 more.
It cuts the song into 82 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
178 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
241 bars, about 5:12 at the written tempo. The course breaks it into 82 exercises over 26 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 33 times: bars 20, 22, 26, 30, 32, 33 and 27 more.