83 bars of 4/4 at a walking 90 BPM, 3:39 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, hi-hat through bars 10-17, ride through bars 18-19, hi-hat through bars 20-35, ride through bars 36-37 and hi-hat through bars 38-45, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 10-15, 28-33 and 56, and 1 more place -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-o-|
SD |----x----x--x---|
BD |x---------x-----|8 fills to learn, played 14 times: bars 9, 17, 25, 27, 35, 43 and 8 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
83 bars, about 3:39 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 9, 17, 25, 27, 35, 43 and 8 more.