104 bars of 4/4 at a walking 104 BPM, 4:01 of playing, on hi-hat, snare, high tom and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 3-104.
The beat the song is built on is one bar, played through bars 3-5, 7-21 and 23-29, and 7 more places -- 81.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
3
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----r-------r---|
BD |x-----x-x-----x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
104 bars, about 4:01 at the written tempo. The course breaks it into 10 exercises over 4 sittings, about 25 minutes each.
hi-hat, snare, high tom and kick. Nothing in the part asks for anything else.