98 bars of 4/4 at a walking 80 BPM, 4:54 of playing, on hi-hat, snare and kick.
69 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-4, hi-hat through bars 5-30, silence through bars 31-34 and hi-hat through bars 35-98.
The beat the song is built on is one bar, played through bars 5-7, 17-24 and 27-30, and 4 more places -- 72.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
HH |xgxgxgxgxgooxgxg|
SD |----x-------x--g|
BD |x--x---xxxxx-x--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 65 out of 100; the rest of the number is everything around it.
98 bars, about 4:54 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 26 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.