129 bars of 4/4 at 128 BPM, about 4:01 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
77 out of 100: demanding, mostly on how much of it falls off the beat.
hi-hat through bars 1-12, ride through bars 13-20, hi-hat through bars 21-24, ride through bars 25-36, toms through bars 37-53 and hi-hat through bars 54-56, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 25-27, and 9 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13
1.....2.....3.....4.....
CC |x-----------------------|
RD |--x-x-x-x-x-x-x-x-x-x-x-|
SD |------x-----------x-----|
BD |x---x-------x---x-------|6 fills to learn, played 17 times: bars 34, 36, 44, 52, 53, 54 and 11 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 77 out of 100; the rest of the number is everything around it.
129 bars, about 4:01 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 34, 36, 44, 52, 53, 54 and 11 more.