96 bars of 4/4 at a walking 93 BPM, 4:08 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7 and hi-hat through bars 8-96.
The beat the song is built on is one bar, played through bars 12-14, 19-22 and 31-38, and 4 more places -- 55.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
12
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-x-----|
HF |-x-x-x-x-x-x-x-x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
96 bars, about 4:08 at the written tempo. The course breaks it into 15 exercises over 6 sittings, about 21 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.