62 bars of 4/4 at a walking 88 BPM, 2:48 of playing, on crash, hi-hat, snare and kick.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-12, snare through bars 13-23, hi-hat through bars 24-32, silence through bars 33-40, hi-hat through bars 41-56 and kick and crashes through bars 57-62.
The beat the song is built on is one bar, played through bars 41-43, 45-49 and 51, and 1 more place -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
42
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x--x-x--x--x|
BD |x-------x-x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 45 out of 100; the rest of the number is everything around it.
62 bars, about 2:48 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.