152 bars of 4/4 at 144 BPM, about 4:13 of playing, on crash, ride, hi-hat, snare and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-16, silence through bars 17-20, ride through bars 21-44, hi-hat through bars 45-60, silence through bars 61-64 and ride through bars 65-88, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 1-3, 5-7 and 9-11, and 11 more places -- 56.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----x---x---x---|x---x---x---x---|
SD |--------x-------|--x-----x-------|
BD |x-x-x-x-----x-x-|----x-x---------|1 fill to learn, played 6 times: bars 28, 40, 44, 72, 84 and 88.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
152 bars, about 4:13 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 29 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 6 times: bars 28, 40, 44, 72, 84 and 88.