155 bars of 4/4 at a walking 103 BPM, 6:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
hi-hat through bars 1-57, kick and crashes through bars 58-59, hi-hat through bars 60-80, kick and crashes through bars 81-82 and hi-hat through bars 83-155.
The beat the song is built on is one bar, played through bars 8, 20 and 28, and 26 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8
1e+a2e+a3e+a4e+a
HH |xxxx-xxxxxxxxxo-|
SD |----X-------X---|
BD |x-xx-x-xx-------|
HF |---------------x|7 fills to learn, played 20 times: bars 13, 29, 44, 45, 57, 60 and 14 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
155 bars, about 6:01 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 20 times: bars 13, 29, 44, 45, 57, 60 and 14 more.