132 bars of 4/4 at a walking 108 BPM, 4:53 of playing, on crash, hi-hat, snare, high tom, kick and hi-hat foot.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-132.
The beat the song is built on is a 2-bar phrase, played through bars 12-13, 16-17 and 20-21, and 16 more places -- 41.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
12 13
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x---o-|x-x-x-x-x-x-x-x-|
SD |----x------gxx--|----x-------x---|
BD |x-----x-x-----x-|x-----x-x-----x-|
HF |----------------|x---------------|4 fills to learn, played 15 times: bars 4, 28, 35, 36, 40, 60 and 9 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
132 bars, about 4:53 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 15 times: bars 4, 28, 35, 36, 40, 60 and 9 more.