126 bars of 4/4 at 130 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-2, snare through bars 3-11, hi-hat through bars 12-17, snare through bars 18-35, hi-hat through bars 36-43 and snare through bars 44-51, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 3, 5 and 12-19, and 8 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |------------------------x-----------------------|
BD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|13 fills to learn, played 17 times: bars 8, 11, 35, 39, 43, 51 and 11 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
126 bars, about 3:53 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 17 times: bars 8, 11, 35, 39, 43, 51 and 11 more.