96 bars of 4/4 at 133 BPM, about 2:53 of playing, on crash, ride, hi-hat, snare and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8 and hi-hat through bars 9-96.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-15 and 34-36, and 7 more places -- 38.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10 11
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x---x-x-x-|x-x---x-x-x---x-|
SD |----r--rg---r---|---xr--xg---r--x|
BD |x--x------x---x-|x--x------x-----|2 fills to learn, played 5 times: bars 8, 32, 64, 88 and 96.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
96 bars, about 2:53 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 8, 32, 64, 88 and 96.