208 bars at 198 BPM -- fast, and 4:14 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-41, hi-hat through bars 42-50, ride through bars 51-58, hi-hat through bars 59-66, ride through bars 67-74 and hi-hat through bars 75-82, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 51-57, 67-73 and 83-89, and 4 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
51
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x--xxx--x--xxx--|17 fills to learn, played 45 times: bars 8, 9, 16, 22, 24, 25 and 39 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
198 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
208 bars, about 4:14 at the written tempo. The course breaks it into 64 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 45 times: bars 8, 9, 16, 22, 24, 25 and 39 more.