106 bars of 4/4 at 138 BPM, about 3:04 of playing, on crash, hi-hat, snare and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, snare through bars 10-25, hi-hat through bars 26-73, silence through bars 74-89 and hi-hat through bars 90-106.
The beat the song is built on is one bar, played through bars 27, 29 and 31, and 14 more places -- 39.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
27
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-o-|
SD |----x-----x-x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
106 bars, about 3:04 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 21 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.