197 bars at 195 BPM -- fast, and 4:08 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-6, hi-hat through bars 7-30, ride through bars 31-33, hi-hat through bars 34-35, snare through bars 36-38 and ride through bars 39-60, and 16 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 23-29 and 100-106 -- 7.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 24
1e+a2e+a3e+a4e 1e+a2e+a3e+a4e
CC |x-------------|x-------------|
HH |----o---o---o-|----o-x-o-----|
SD |--------x-----|----------f---|
BD |x-----x---x---|x---x-x-x---x-|12 fills to learn, played 55 times: bars 5, 6, 7, 8, 9, 14 and 49 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
195 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
197 bars, about 4:08 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 55 times: bars 5, 6, 7, 8, 9, 14 and 49 more.