69 bars of 4/4 at 122 BPM, about 2:14 of playing, on hi-hat, snare and kick.
22 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
hi-hat through bars 2-5, snare through bars 6-10, hi-hat through bars 11-25, kick and crashes through bars 26-30, snare through bars 31-35 and kick and crashes through bars 36-50, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 6-10, 31-35 and 51-55, and 1 more place -- 42.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-----x---------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
22 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
69 bars, about 2:14 at the written tempo. The course breaks it into 16 exercises over 3 sittings, about 32 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.