144 bars of 4/4 at 140 BPM, about 4:07 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-8, hi-hat through bars 9-10, snare through bars 11-16, hi-hat through bars 17-32, snare through bars 33-34 and hi-hat through bars 35-36, and 7 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 1-6, 9-14 and 17-31, and 6 more places -- 68.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-------x---x---|x---x---x---x---|
SD |--------x-------|--------x-------|
BD |x-------------x-|----x-----------|6 fills to learn, played 11 times: bars 7, 8, 36, 40, 56, 84 and 5 more.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
144 bars, about 4:07 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 7, 8, 36, 40, 56, 84 and 5 more.