180 bars of 4/4 at 140 BPM, about 5:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 2-7, silence through bars 8-9, ride through bars 10-17, snare through bars 18-61, hi-hat through bars 62-63 and snare through bars 64-65, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 34-40, and 14 more places -- 51.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
26
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------x-----------x-----|
BD |x-----------x---x-------|5 fills to learn, played 7 times: bars 11, 33, 71, 72, 73, 114 and 1 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
180 bars, about 5:03 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 11, 33, 71, 72, 73, 114 and 1 more.