169 bars at 183 BPM -- fast, and 3:42 of it without a break -- on hi-hat, snare, floor tom, kick and hi-hat foot.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, snare through bars 9-135 and silence through bars 136-169.
The beat the song is built on is a 2-bar phrase, played through bars 17-79, 81-103 and 105-135, and 1 more place -- 94.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
17 18
1.....2.....3.....4..... 1.....2.....3.....4.....
HH |------o-----------------|------------------------|
SD |x---x-x-----x---x-x---x-|x-----x---x-x---x-x---x-|
FT |----------x-------------|------------------------|
BD |x---------x-----------x-|----x-x-----------------|
HF |------------x-----------|------------------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
183 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
169 bars, about 3:42 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 27 minutes each.
hi-hat, snare, floor tom, kick and hi-hat foot. Nothing in the part asks for anything else.