104 bars of 4/4 at a walking 101 BPM, 4:59 of playing, on crash, hi-hat, snare, floor tom and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-9, hi-hat through bars 10-51, toms through bars 52-53, hi-hat through bars 54-85 and silence through bars 86-104.
The beat the song is built on is a 2-bar phrase, played through bars 11-12, 14-15 and 17-18, and 12 more places -- 33.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 12
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----------------|--------x---x---|
HH |x-x-x-x-x-x-x-x-|x-x-x-x---------|
SD |----x-------x---|----x-----x---x-|
BD |x-x-----x-x-----|x-x-----x---x---|6 fills to learn, played 13 times: bars 9, 21, 30, 33, 48, 51 and 7 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
101 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
104 bars, about 4:59 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 13 times: bars 9, 21, 30, 33, 48, 51 and 7 more.